So September has been and gone, with New South Wales, Victoria and the ACT, spending it all in lockdown. However, as I write this in October, New South Wales is “relatively” free again, as will the ACT be at the end of the week. Things should be freer in Victoria at the end of the month. For everyone else though, it’s been business as the new usual! I hope that wherever you were, the first month of spring (or autumn for our northern hemisphere readers) has been good to you.
As usual, awards announcements made over the last month are at the end of the post.
Striking? Stunning? Subdued? Something, anyhow, September
Our September reviews were a little down on recent numbers, but not much – one less than last month, and five less than last September. In other words, forty-one reviews were posted this month for thirty-one different books.
- Most reviewed authors: Sarah Bailey and Sandie Docker both received five reviews, with Bailey’s reviews being for two novels (The housemate and Into the night) and Docker’s for one (The Wattle Island Book Club). Docker’s books haven’t normally appeared in the Literary/Classics data list, but this book includes discussion of libraries and other books which has resulted in our participants classifying it as literary. I wonder what books this bookclub discusses?
- Top reviewer: One reviewer posted 5 reviews this month: Kate Forsyth (on her What Katie Read blog). She is one of our wonderful authors who also contribute reviews for books but other Aussie women.
- Classics: After last month’s bumper crop, we have just one classic posted this month. Read on.
Regular readers here won’t be surprised that the reviewer of this month’s lone classic is Bill (The Australian Legend). He reviewed Katharine Susannah Prichard’s The child of the hurricane. Published in 1964, this is Prichard’s autobiography. For those of you who don’t know Prichard, she was one of Australia’s most significant writers in the first few decades of the 20th century. Her novels The pioneers (1915), Working bullocks (1926), The wild oats of Han (1928), Coonardoo (1929), and Haxby’s circus (1930) have all been reviewed for the challenge. Do check them out next time you feel like reading something a bit different.
Bill enjoyed the autobiography for what it did contain, but would have loved more on her literary and political life. For that, we must wait for Nathan Hobby’s biography, The red witch, due out next year. Here is Bill’s conclusion:
An entertaining read, informative about her early years in a chatty way but which left me wishing she’d at least written the second volume, about her middle years and the literary and political theory which informed her writing.
I am going to sneak in here under Classics another book, Leah Purcell’s The drover’s wife: The legend of Molly Johnson because it is a recent reimagining, from an Indigenous Australian point-of-view, of Henry Lawson’s classic short story, The drover’s wife. It is also Purcell’s adaptation of her award-winning play on the same story. Ktbookbingo did one of her Instagram reviews of this novel. She found the first half slow-going, perhaps because she hadn’t read the original story (?), but she found that it picked up in the second part. She concludes:
I do recommend The Drover’s Wife. You can read it for the words alone; but if you look hard enough, you’ll appreciate Purcell’s use of the themes of race, gender and violence in a historical context and how they are still just as topical today. Whichever way you choose to read it; my advice is to do so knowing the first half is a slow burn for which you’ll be rewarded for your perseverance of with a cracking second half.
Marion Frith’s Here in the after is about surviving trauma, with the story told through the lives of a victim of a terrorist attack, in which several were murdered, and an Army veteran who served in Afghanistan. Two of our regular reviewers, Mrs B (Mrs B’s Book Reviews) and Jennifer Cameron-Smith (GoodReads) posted on this book. Mrs B interviewed Frith, which you can read at the link and in which Frith says that she’d been “toying with this idea of trauma’s aftermath for a while”. Jennifer was impressed by the book, concluding that:
I was deeply moved by this story and after finishing my review copy, bought a copy for myself. This is Ms Frith’s first novel, and I recommend it highly.
Sophie Overett’s The rabbits won the 2020 Penguin Literary Prize, which was established in 2017, “to find, nurture and develop new Australian authors of literary fiction”. This novel was reviewed by Mrs B again, who describes it as combining “magical realism with suburban life in contemporary Australia”. Drawing from the disappearance of a family member, this multigenerational story is, says Mrs B, “a startling story of loss, change, trauma, strained relations and connections”.
However, she also admits that its style/genre is a bit out of her comfort zone, so she found it challenging at times:
Reflective, meditative, quirky and creative, I appreciated the intent of this novel much more than the overall execution. Unfortunately, as magical realism is genre I struggle with, I experienced some difficulties in connecting to and fully understanding The Rabbits. This one baffled me!
Mrs B has certainly captured my attention with her honest, but intriguing assessment. And, what an interesting cover.
Four awards made announcements over the last month. Note that the FOUR asterisked books have not been reviewed yet for the challenge – that’s a hint! (I will be doing one of them in a couple of months, so that’s a start.)
ARA Historical Novel Prize Shortlist for Adult Category (2 of 3 by women)
- Anita Heiss’ Bila Yarrudhanggalangdhuray: River of dreams
- Gail Jones’ Our shadows
Queensland Literary Award Winners (Just the relevant women)
- The University of Queensland Fiction Book Award: $15,000: Nardi Simpson’s Song of the crocodile
- University of Southern Queensland Steele Rudd Award for a Short Story Collection: $15,000: Laura Elvery’s Ordinary matter
- Griffith University Young Adult Book Award:$15,000: Cath Moore’s Metal fish, falling snow
- David Unaipon Award for an (unpublished manuscript by an) Emerging Aboriginal and/or Torres Strait Islander Writer: $15,000, plus manuscript development and publication: Ngankiburka-mekauwe (Senior Woman of Water) Georgina Williams’ Mekauwe=Tears Volume #1 Poems (Notes For Song) 1970-2020 *
Voss Literary Prize Longlist (8 of 10 by women)
- Kate Grenville’s A room made of leaves
- Erin Hortle’s The octopus and I
- Julie Janson’s Benevolence
- Gail Jones’ Our shadows
- Amanda Lohrey’s The labyrinth
- Vivian Pham’s The coconut children
- Mirandi Riwoe’s Stone sky, Gold Mountain
- Nardi Simpson’s Song of the crocodile
Mark and Evette Moran Nib Shortlist (4 of 6 by women)
- Gabrielle Carey‘s Only happiness here: In search of Elizabeth von Arnim
- Kate Holden’s The winter road: A story of legacy, land and a killing at Croppa Creek *
- Ramona Koval’s A letter to Layla: Travels to our deep past and near future *
- Sarah Krasnostein’s The believer: Encounters with love, death & faith *
About Whispering Gums
I read, review and blog about (mostly) literary fiction. It was reading Jane Austen when I was 14 that turned me onto literary fiction/classics. Little did Jane know what she started. My love of Aussie literature started in childhood with Banjo Paterson’s ballads and Ethel Turner’s Seven Little Australians. But, I didn’t really discover Australian women’s writing until the 1980s when I “met” and fell in love with Elizabeth Jolley, Thea Astley, Olga Masters, Helen Garner and Kate Grenville. Ever since then I have included a good percentage of Australian (and other) women writers in my reading diet.